Oberek. Transription for Three Accordions. Publisher: PWM Edition Wojciech Kilar, Grażyna Bacewicz and Witold Lutosławski, who performed these works in. After completing her studies in Warsaw (), Grażyna Bacewicz, the most outstanding 20th century Grażyna Bacewicz (Poland) – G. Bacewicz – Oberek no. Grażyna Bacewicz: Oberek No. 2, for violin and piano – Play streams in full or download MP3 from Classical Archives (), the largest and.

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Oberek 1: violin-piano

But my work has undergone changes. The author of “Harnasie” in his deliberations on national art, raised the authority of Fryderyk Chopin and many other great composers. She proved hacewicz composing is not only the domain of men! The characteristic feature of this impulsive dance is that the rhythm in 2 4 and there are lots ofwith syncopations which brings the accent in bars to the weaker part of it. This is not a material that leads, as the composers of Young Poland were afraid of, to backwardness baccewicz the music and to its stagnation.

We can feel a Polish climate. Lightness and agility, repetitions of melodic and rhythmic figures, a majority of tiny rhythmic values and figurations are characteristic of it.

Threads collapsed expanded unthreaded. PWM, It can be quoted or stylized. There are tritons in the accompaniment. Pawelec, screenplay by M.


Championed by musicians from her native Poland and elsewhereincluding Krystian Zimerman, this pioneering composer seems to be beginning to win the international profile she deserves, at least on disc. This way the actual state of affairs is distorted.

The musical narrative is interrupted by oberek-like fragments. It begins in slow tempo Andante in 3 4, though the melody seems to sound in 2 4. Melody is lead in double-stops where one of the sounds is constantly repeated and it sounds almost like a bourdon:.

It is the fastest of Polish mazurka-rhythm-based dances.

The composer juxtaposes keys without modulation — e. She continued to compose, and gave underground secret concerts premiering her Suite for Two Violins Lein It is called krakowiak. Repetitions of melodic and rhythmic schemes are characteristic of this composition — we can imagine dancers performing rotating figures. In ancient post-war times my output was labeled as neoclassical.

2 Oberek from Grażyna Bacewicz | buy now in Stretta sheet music shop

They are in 3 4 and we can see them in bars: I have attained it in a way of development not revolution [2]. Her works prove that basing on a material that is characteristic of one’s own country we do not have to give up contemporary techniques or our own musical language.

Born in Lodz inBacewicz was both a composer and a renowned violin virtuoso, and a more than decent pianist as well. After that introductory fragment, the tempo changes into Allegro non troppo and 2 4. Order by newest oldest recommendations. This work is in 3 4 and tempo presto.


Its simple and straightforward structure, exposing the violin part, is by no means equivalent with accessibility of this music to the player. In addition, Bacewicz received awards for lifetime achievement.

While the figure of female virtuoso was not something new in the 20 th century, the figure of a female composer was surprising. Melody lead in double-stops — bars Views Read Edit View history. But she was not content with what she had developed — she combined her favorite classical forms with sonoristic techniques, she made liberal use of dodecaphony, she used controlled aleatory and folk music, from whose rhythms and melodies she drew inspiration.

These are more modernist in outlook, more experimental, sometimes to monumental effect.

Double-stops consist of open strings sounds:. D-major, B-sharp minor and A-sharp minor. Many of her compositions feature the violin. It also favoured monumentalism and an optimistic tone, especially at the end of works [13]. Polish folk material is used a few times in this dance-like “Vivace”. It is mainly because of the fact, that she was violin player, but maybe usage of fiddle is another proof of folk influence?