This piece of music, from Bach’s St Matthew Passion, describes Peter’s lament after having denied knowing Jesus three times. The text is adapted from the. Erbarme dich, mein Gott (“Have mercy Lord, My God, for the sake of my tears”) the meltingly beautiful alto aria from Bach’s St. Matthew Passion, portrays Peter’s . Bach, Johann Sebastian Erbarme dich from Matthew Passion sheet music Bach wrote hundreds of pieces for organ, choir, as well as many other instruments.

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In a great contrast of mood errbarme preparation for the “Easter meal” Osterlamm is described No. Editor Julius Rietz — Writings and Letters Pendragon Press, More from the web. The arias, set to texts by Picanderare interspersed between sections of the Gospel text.

Bach was Thomaskantor i. Copyist Johann Heinrich Michel Bach Digital source list.

Es dient zu meinen Freuden. Ich will dir wrbarme Herze schenken Part I, No. Many composers wrote musical settings of the Passion in the late 17th century.

Compiled by Martin Chilton. The St Matthew Passion was composed as to perform a single work from both organ lofts at the same time: In the turba parts, the two choruses sometimes alternate in cori spezzati style e.

Bach – Erbarme dich from Matthew Passion sheet music for Voice

After a few words of introduction by the Evangelist, the first words of Christ, set as an accompagnato recitative with slow strings, contain an ominous prediction of his imminent fate.


The Evangelista tenor voice, sings the Gospel text in a declamatory style called secco recitativethat is with only a continuo accompaniment. Bach finalized his autograph score in —; however, this undertaking was not tied to any new performance.

One is the double-choir format, which stems from his own double-choir motets and those of many other composers with which he routinely started Sunday services. From Wikipedia, the free encyclopedia. The dialogue with these questions is repeated, and then, from measure 30, Chorus I sings the text of the incipit again while in ripieno sopranos sing the first baxh lines of Nikolaus Decius ‘ chorale ” O Lamm Gottes, unschuldig ” O Lamb of Godinnocent as the cantus firmus.

Can non-Christians appreciate Bach’s St Matthew Passion? – Telegraph

The size of the organ lofts limited the number of performers for each Choir. Following the concept of Anselm of Canterburythe crucifixion is the endpoint and the source of redemption ; the emphasis is on the suffering of Jesus. Little is known with certainty about the creation process of the St Matthew Passion. The following day No.

Wenn ich einmal soll scheiden. In the morning No.

St Matthew Passion – Wikipedia

The sopranos sing the cantus firmus, the other voices interpret aspects of the narration. Both use lettered subsections in some cases.

After the meal they men together to the Mount of Olives No. Something I stumbled across on YouTube, however, gave me another way in.


Seventy-eight individual movements lasting between 20 seconds and seven minutes add up to a performance of about three hours. At the time only men sang in church: Bach worked together with his librettist, Christian Friedrich Henrici, known as Picander [4] who published the text of the libretto of the St Matthew Passion in In ” Blute nur “, the line about the serpent is set with a twisting melody.

Bach used the hymns in different ways, most are four-part setting, two as the gltt firmus of the two chorale fantasias framing Part I, one as a commenting element in a tenor recitative. Notable staged performances include Jonathan Miller ‘s production in English. Albert, Duke of Prussia. In Felix and a few friends began weekly sessions to rehearse the Passion.

I have my doubts. Could I, a non-Christian, fully appreciate such a work? Editor Frieder Bacn The “character” soloists are also often assigned arias and sing with the choirs, a practice bcah always followed by modern performances. Wie wunderbarlich ist doch diese Strafe! Please obey the copyright laws of your country. Bach revised the Passion byfor a performance on Good Friday 30 March The xich two lines of the hymn are a rhetorical question: